Issue Date | Title | Author(s) | Type | Access |
Oct-1997 | Modernist Poetry and Cultural Difference | Canelo, Maria José | workingPaper | openAccess |
2018 | Nations in Review(s): Modernist “Little” Magazines and the (Trans)National Imagination | Canelo, Maria José | article | openAccess |
2010 | Needles, hats, shirtwaists and strikes : tornar-se americana no início do século XX | Elias, Isabel Maria Ferreira Lopes de Oliveira | masterThesis | openAccess |
Sep-2021 | Notes on Undocumented Immigrants and Affective Citizenship | Canelo, Maria José | workingPaper | openAccess |
7-May-2014 | Novos equilíbrios após o ‘11-de-setembro’: Diálogos intelectuais entre os Estados Unidos da América e a França | Tavares, Maria Manuela Coelho Glaziou | doctoralThesis | openAccess |
Feb-1997 | Nuno Júdice, A fonte da vida. Lisboa, Quetzal Editores, 1997 | Canelo, Maria José | review | openAccess |
2022 | Paul Beatty’s The Sellout as Allegory of the U.S. Carceral System | Canelo, Maria José | article | openAccess |
1998 | Portuguese modernism unbounded: a poetics for the "border identity" | Canelo, Maria José | article | openAccess |
2014 | Producing Good Neighbors: Carmen Miranda’s Body as Spectacular Pan-Americanism | Canelo, Maria José | article | openAccess |
Apr-2016 | Randolph Bourne’s 'Trans-national America': Between Pluralist and Exceptionalist Cosmopolitanism | Canelo, Maria José | workingPaper | openAccess |
2019 | Redefining the Terms of National Belonging in War and Peace, in Randolph Bourne’s Critique of the Great War | Canelo, Maria José | article | embargoedAccess |
Nov-2021 | Reinventar o social: movimentos e narrativas de resistência nas Américas | Caldeira, Isabel ; Canelo, Maria José ; Cholant, Gonçalo | book | openAccess |
Oct-1997 | Shifting Bonds in Modernism: Male and Female Father-Figures in The Little Review | Canelo, Maria José | workingPaper | openAccess |
2019 | Spectacles of violence: passivity and agency in photographs of the Civil Rights and Black Lives Matter movements | Canelo, Maria José | bookPart | openAccess |
2019 | Telling Stories from Pictures: Visual Close-Reading Tools for a Critical Visual Literacy | Canelo, Maria José | bookPart | openAccess |
Jun-2014 | The disloyal pacifist, the complacent intellectual, and the war state, in Randolph Bourne’s critique of the First World War | Canelo, Maria José | workingPaper | openAccess |
2011 | The wire : a encenação de uma cidade imóvel | Moura, José Miguel | masterThesis | openAccess |
Aug-2010 | There is no edge: unveiling the coloniality of power in Ntozake Shange's Poetry | Canelo, Maria José | workingPaper | openAccess |
2014 | O uso da fotografia na sala de aulas | Canelo, Maria José | bookPart | openAccess |
2011 | Übersetzung, Subjektivität und Kulturbürgerschaft | Canelo, Maria José | article | openAccess |