Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/86968
DC FieldValueLanguage
dc.contributor.authorMartins, Catarina Isabel Caldeira-
dc.date.accessioned2019-05-16T15:45:14Z-
dc.date.available2019-05-16T15:45:14Z-
dc.date.issued2019-
dc.identifier.issn0104-026Xpt
dc.identifier.issn1806-9584pt
dc.identifier.urihttps://hdl.handle.net/10316/86968-
dc.description.abstractNos países africanos, o poder colonial encontrou nos corpos nus das mulheres negras um instrumento axial para o exercício material e simbólico da apropriação e violência. As corporalidades eram discursivamente construídas para legitimar uma ordem social codificada por gênero e raça. Nos projetos anticoloniais e das independências, os corpos nus de mulheres negras também são instrumento discursivo fundamental de um poder que agora é negro, mas permanece masculino e patriarcal, e que igualmente os objetifica, domina, expropria, controla e violenta. Importa, pois, considerar os modos em que as mulheres negras contestam esta expropriação e resistem a estas violências através de vozes incisivas que reclamam os seus corpos. Mulheres escritoras e poetas criam novas gramáticas poéticas nas quais ostentam as suas feminilidades, a sua nudez e a pele negra como o verdadeiro locus de articulação da violência e da resistência.pt
dc.description.abstractIn African countries in general, colonial power found in black women’s naked bodies an axial instrument for the material and symbolic exercise of violence and appropriation. Embodiment was discursively constructed to legitimate the imposition of a social order codified by race and gender. As anticolonial and independence projects were built for these countries, again black women’s naked bodies were handled as a fundamental discursive instrument by a power which was now black, but still male and patriarchal, and that likewise objectified, dominated, expropriated, controlled and violated them. It is important, thus, to consider the ways in/by which black women contest this appropriation and resist this violence through incisive voices that reclaim their bodies. Women writers and poets create new poetic grammars to display their femininities, their nakedness and their marked black skin as the true locus of articulation of violence and resistance.pt
dc.language.isoporpt
dc.publisherUniversidade Federal de Santa Catarinapt
dc.rightsopenAccesspt
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt
dc.subjectÁfricapt
dc.subjectPALOPpt
dc.subjectLiteratura de mulherespt
dc.subjectCorpos femininos e negrospt
dc.subjectAfricapt
dc.subjectPALOPpt
dc.subjectWomen’s literaturept
dc.subjectBlack women’s bodiespt
dc.titleCorpos nus de mulheres negras: eixos poéticos e políticos da escrita de mulheres africanas lusófonaspt
dc.title.alternativeBlack women’s naked bodies: Poetic and Political Axes of African Women’s Literaturept
dc.typearticle-
degois.publication.firstPagee58880pt
degois.publication.issue1pt
degois.publication.locationFlorianópolispt
degois.publication.titleRevista Estudos Feministaspt
dc.relation.publisherversionhttp://dx.doi.org/10.1590/1806-9584-2019v27n158880pt
dc.peerreviewedyespt
dc.identifier.doi10.1590/1806-9584-2019v27n158880pt
degois.publication.volume27pt
dc.date.embargo2019-01-01*
uc.date.periodoEmbargo0pt
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypearticle-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextCom Texto completo-
item.languageiso639-1pt-
crisitem.author.deptFaculty of Arts and Humanities-
crisitem.author.researchunitCES – Centre for Social Studies-
crisitem.author.parentresearchunitUniversity of Coimbra-
crisitem.author.orcid0000-0002-4317-9835-
Appears in Collections:I&D CES - Artigos em Revistas Internacionais
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