Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/101668
DC FieldValueLanguage
dc.contributor.authorPousada, Pedro-
dc.date.accessioned2022-09-06T16:51:01Z-
dc.date.available2022-09-06T16:51:01Z-
dc.date.issued2016-
dc.identifier.issn2179-8001pt
dc.identifier.issn0103-7269pt
dc.identifier.urihttps://hdl.handle.net/10316/101668-
dc.description.abstractThis article is gives further thought to the article “Merzbau, the grave of the logocentric self: He who screams becomes the space”, published in the Porto Arte journal, issue 34, 2015, presenting considerations on the Merzbau of Hanover as a “para-architectural” experience and as a doctrine of environmental comfort, linked to intense sensation and mnemonic relaxation.pt
dc.language.isoengpt
dc.publisherPPGAV/UFRGSpt
dc.rightsopenAccesspt
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/pt
dc.subjectMerzbaupt
dc.subjectKurt Schwitterspt
dc.subjectModernismpt
dc.subjectArtpt
dc.subjectArchitecturept
dc.titleMerzbau: the interpretation of the world as a living form without first causespt
dc.typearticle-
degois.publication.firstPage228pt
degois.publication.lastPage234pt
degois.publication.issue35pt
degois.publication.locationPorto Alegrept
degois.publication.titlePorto Arte: Revista de Artes Visuaispt
dc.relation.publisherversionhttps://doi.org/10.22456/2179-8001.73731pt
dc.peerreviewedyespt
dc.identifier.doi10.22456/2179-8001.73731pt
degois.publication.volume21pt
dc.date.embargo2016-01-01*
uc.date.periodoEmbargo0pt
item.cerifentitytypePublications-
item.languageiso639-1en-
item.fulltextCom Texto completo-
item.grantfulltextopen-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypearticle-
crisitem.author.researchunitCES – Centre for Social Studies-
crisitem.author.parentresearchunitUniversity of Coimbra-
crisitem.author.orcid0000-0002-6886-3166-
Appears in Collections:I&D CES - Artigos em Revistas Internacionais
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