Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/100346
DC FieldValueLanguage
dc.contributor.authorSchurmans, Fabrice-
dc.date.accessioned2022-06-13T16:15:12Z-
dc.date.available2022-06-13T16:15:12Z-
dc.date.issued2019-
dc.identifier.issn1647-0737pt
dc.identifier.urihttps://hdl.handle.net/10316/100346-
dc.description.abstractAgence Black Bafoussa (1996) donne à voir un milieu social mal connu, celui des communautés issues d’Afrique subsaharienne vivant à Paris. Le pays d’origine des protagonistes est imaginaire, mais les allusions à la fin du régime de Mobutu sont nombreuses. Dans la première partie, nous replacerons le roman dans le contexte politique d’un Zaïre en crise. Ensuite, nous aborderons le contexte littéraire afin de montrer que ce livre participe autant de la catégorie du roman africain francophone que de celle du roman policier. Cette mise en perspective nous permettra de pratiquer une analyse textuelle approfondie pour dégager les principales caractéristiques de l’ouvrage : transformation de la capitale en un espace postcolonial, hybridité des cultures dans le Paris africain, etc. Nous consacrerons une attention particulière à la figure de l’enquêteur, Laurent Cardoso, angolais blanc, parce qu’il illustre la complexité des identités présentes dans le roman.pt
dc.description.abstractAgence Black Bafoussa (1996) offers a fictional representation of a poorly known social milieu, that of communities from sub-Saharan Africa living in Paris. Though the protagonists’ country of origin is imaginary, the reader easily identifies many allusions to Zaire and the end of the Mobutu regime. Therefore, in the first part, this essay situates the novel in the political context of a Zaire in crisis. Then, it examines the literary context in order to argue that the novel simultaneously integrates the categories of the French-speaking African novel and of the crime novel. This perspective opens up for an in-depth textual analysis which identifies the main characteristic of the work: the transformation of Paris into a postcolonial space marked by hybrid cultures with African origins. This essay pays particular attention to the character of the detective, Laurent Cardoso, an Angolan white, because he illustrates the complexity of the identities present in the novel.pt
dc.language.isofrapt
dc.publisherCentro de Estudos Sociais da Universidade de Coimbrapt
dc.rightsopenAccesspt
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt
dc.subjectAchille F. Ngoyept
dc.subjectHybriditépt
dc.subjectIdentitéspt
dc.subjectRoman africain francophonept
dc.subjectRoman policierpt
dc.subjectAchille F. Ngoyept
dc.subjectDetective novelpt
dc.subjectFrancophone african novelpt
dc.subjectHybriditypt
dc.subjectIdentitiespt
dc.titleAngola-Zaïre sur Seine. Identités postcoloniales et hybridités urbaines dans le roman policier Agence Black Bafoussa de Achille F. Ngoyept
dc.title.alternativeAngola-Zaïre sur Seine. Postcolonial Identities and urban hybridities in Achille F. Ngoye’s detective novel Agence Black Bafoussapt
dc.typearticle-
degois.publication.firstPage81pt
degois.publication.lastPage102pt
degois.publication.issue32pt
degois.publication.locationCoimbrapt
degois.publication.titlee-cadernos CESpt
dc.relation.publisherversionhttp://journals.openedition.org/eces/4852pt
dc.peerreviewedyespt
dc.identifier.doi10.4000/eces.4852pt
dc.date.embargo2019-01-01*
uc.date.periodoEmbargo0pt
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypearticle-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextCom Texto completo-
item.languageiso639-1fra-
crisitem.author.researchunitCES – Centre for Social Studies-
crisitem.author.parentresearchunitUniversity of Coimbra-
crisitem.author.orcid0000-0001-8451-1921-
Appears in Collections:I&D CES - Artigos em Revistas Nacionais
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