Please use this identifier to cite or link to this item:
https://hdl.handle.net/10316/92635
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Branco, Sérgio Dias | - |
dc.date.accessioned | 2021-01-26T11:39:12Z | - |
dc.date.available | 2021-01-26T11:39:12Z | - |
dc.date.issued | 2021 | - |
dc.identifier.issn | 2183-1750 | pt |
dc.identifier.uri | https://hdl.handle.net/10316/92635 | - |
dc.description.abstract | Review of Mike Wayne's “Marxism Goes to the Movies” (London: Routledge, 2020). | pt |
dc.description.sponsorship | IHC - Instituto de História Contemporânea (FCSH-UNL) | pt |
dc.language.iso | eng | pt |
dc.publisher | Association of Moving Image Researchers | pt |
dc.rights | openAccess | pt |
dc.subject | Film studies | pt |
dc.subject | Marxism | pt |
dc.title | Cinema Transformed | pt |
dc.type | article | - |
degois.publication.firstPage | 303 | pt |
degois.publication.lastPage | 306 | pt |
degois.publication.issue | 1 | pt |
degois.publication.location | Lisbon | pt |
degois.publication.title | Aniki: Portuguese Journal of the Moving Image | pt |
dc.relation.publisherversion | https://aim.org.pt/ojs/index.php/revista/article/view/711/428/pdf | pt |
dc.peerreviewed | no | pt |
dc.identifier.doi | 10.14591/aniki.v8n1.711 | pt |
degois.publication.volume | 8 | pt |
dc.date.embargo | 2021-01-01 | * |
uc.date.periodoEmbargo | 0 | pt |
item.fulltext | Com Texto completo | - |
item.grantfulltext | open | - |
item.languageiso639-1 | en | - |
item.cerifentitytype | Publications | - |
item.openairetype | article | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
crisitem.author.researchunit | CEIS20 - Centre of 20th Century Interdisciplinary Studies | - |
crisitem.author.orcid | 0000-0003-2444-9905 | - |
Appears in Collections: | FLUC Secção de Artes - Artigos em Revistas Nacionais |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
2021_Cinema.Transformed.pdf | 413.05 kB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.