Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/81696
DC FieldValueLanguage
dc.contributor.authorMarnoto, Rita-
dc.date.accessioned2018-12-10T23:48:05Z-
dc.date.available2018-12-10T23:48:05Z-
dc.date.issued2018-
dc.identifier.issn1888 4067pt
dc.identifier.urihttps://hdl.handle.net/10316/81696-
dc.description(2018). Jorge Ferreira de Vasconcelos: a Jorge Ferreira de Vasconcelos, a cidade e a corte, Limite, 12, 1: 29-43. ISSN 1888 4067pt
dc.description.abstractDue to its Italian genesis, the main set of action in Renaissance comedy is the city. Therefore, the three comedies written by Jorge Ferreira de Vasconcelos take place in this set of action. In these comedies, the city is represented as a social atmosphere, a behavioral system, a set of very diverse daily practices. The subtleness connecting both materiality and illusion, the function-sir and the function-author, creates the dynamics of the city in Jorge Ferreira de Vasconcelos’ comedies.pt
dc.language.isoporpt
dc.publisherUniversidad de Extremadurapt
dc.rightsopenAccesspt
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/pt
dc.subjectJorge Ferreira de Vasconcelospt
dc.subjectComédia renascentistapt
dc.subjectCidadept
dc.subjectCortept
dc.titleJorge Ferreira de Vasconcelos: a comédia, a cidade e a cortept
dc.typearticle-
degois.publication.firstPage29pt
degois.publication.lastPage43pt
degois.publication.issue12pt
degois.publication.locationCácerespt
degois.publication.titleLimitept
dc.peerreviewedyespt
degois.publication.volume1pt
dc.date.embargo2018-01-01*
dc.date.periodoembargo0pt
uc.controloAutoridadeSim-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypearticle-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextCom Texto completo-
item.languageiso639-1pt-
crisitem.author.researchunitCIEC – Interuniversitary Centre for Camonian Studies-
crisitem.author.orcid0000-0003-0319-4026-
Appears in Collections:FLUC Secção de Línguas Românicas - Artigos em Revistas Internacionais
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