Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/17853
DC FieldValueLanguage
dc.contributor.authorPortela, Manuel-
dc.date.accessioned2011-12-08T15:53:18Z-
dc.date.available2011-12-08T15:53:18Z-
dc.date.issued2006-09-
dc.identifier.issn1071-4391-
dc.identifier.urihttps://hdl.handle.net/10316/17853-
dc.description.abstractI argue that there is an intrinsic connection between concrete poetics as a theory of the medium (i.e., of language, of written language, and of poetical forms) and digital poetics as a theory of poetry for the digital medium. This link is clearly seen in the use of concrete poems as storyboards and scripts for electronic texts, both in composing text for graphic interface static display and for animation. This essay deals with the adoption of electronic media by concrete poets, with examples from the work of Brazilian poet Augusto de Campos (1931-), and Portuguese poets E.M. de Melo e Castro (1932-) and Tiago Gomez Rodrigues (1972-).por
dc.language.isoengpor
dc.publisherMIT Presspor
dc.rightsopenAccesspor
dc.subjectPoesia concretapor
dc.subjectPoesia digitalpor
dc.subjectAugusto de Campospor
dc.subjectE.M. de Melo e Castropor
dc.subjectTiago Gomez Rodriguespor
dc.titleConcrete and Digital Poeticspor
dc.typearticlepor
degois.publication.firstPage1por
degois.publication.lastPage12por
degois.publication.issue5-6por
degois.publication.titleLeonardo Electronic Almanacpor
dc.relation.publisherversionhttp://www.leoalmanac.org/journal/vol_14/lea_v14_n05-06/mportela.htmlpor
dc.peerreviewedYespor
degois.publication.volume14por
uc.controloAutoridadeSim-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypearticle-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextCom Texto completo-
item.languageiso639-1en-
crisitem.author.researchunitCLP - Centre of Portuguese Literature-
crisitem.author.orcid0000-0002-6295-6732-
Appears in Collections:FLUC Secção de Estudos Anglo-Americanos - Artigos em Revistas Internacionais
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