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Credit Name
Marnoto, Rita
 
Name
Marnoto, Rita
 
Variants
Marnoto, Rita
 
 
 
Status
UC Researcher
Biography
Rita Marnoto is Full Professor at the Faculty of Arts and Humanities and at the College of Arts of the University of Coimbra, where she teaches Italian Studies, Translation, Literature, and Arts. She is the director of the PhD program in Modern Languages - Culture, Literature, Translation, the coordinator of the Italian Studies Section, and the Vice-President of the "Centre International d'Études Portugaises de Genève". She has developed her expertise working on Contemporary Italian Literature (historical avant-garde movements, modern theatre, neo-realism, postmodernism), on twentieth century Portuguese avant-gardes, on the reception of Pirandello and other contemporary writers' work in Portugal, on the relationships between Portugal and Italy during the Risorgimento period, on Arcadia and the eighteenth century Portuguese History of Literature, on baroque poetry, on Luís de Camões, the court society and sixteenth century Portuguese Petrarchism, on Dante and Sannazaro, on Italian Historical Linguistics, etc. She has translated Bodoni and Pirandello to Portuguese. She set the text for Fernando Távora's Diary and for the first edition's first copy of Os Lusíadas by BGUC. In addition, she has been working on the fields of dramaturgy and visual arts. She uses a methodology based on the text's hermeneutics, thus enhancing values to be explored through contributions which range from semiotics to philology, literary history or artistic studies. This is a way to relate the literary work with a network of centralities, away from hierarchical assumptions. Dynamism and heterogeneity are considered her intrinsic traces, since she favors the intersections between diachronicities, languages and literature, and particularly Portuguese and Italian languages and literature.
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Publications

Refined By:
Subject:  Petrarquismo

Results 1-19 of 19 (Search time: 0.021 seconds).

Issue DateTitleAuthor(s)TypeAccess
11997Camões, Laura e a Bárbora escravaMarnoto, Rita articleopenAccess
21999Camões, Laura e a Bárbora escravaMarnoto, Rita bookPartopenAccess
32005Camões. A ordem dos clássicos e o ruído de fundoMarnoto, Rita articleopenAccess
42015A canção à Virgem na literatura portuguesa do século XVIMarnoto, Rita articleopenAccess
51995Dois sonetos de D. Tomás de Noronha no Cancionero Manuel de FariaMarnoto, Rita articleopenAccess
62004‘Dove Petrarca scrisi. Loco beato’. Petrarchismo transculturale: il Portogallo del Cinquecento nelle rotte oceanicheMarnoto, Rita articleopenAccess
71996A figura feminina petrarquista em Camões, entre imitação e transformaçãoMarnoto, Rita bookPartopenAccess
82020A forma Cancioneiro petrarquiana como arquétipoMarnoto, Rita articleopenAccess
91995Laura bárbaraMarnoto, Rita bookPartopenAccess
102006O sétimo centenário de Petrarca entre Portugal e a ItáliaMarnoto, Rita articleopenAccess
112005Petrarca em Portugal. ‘Ad eorum littus irem’Marnoto, Rita ; Marnoto, Rita (ed.) conferenceObjectopenAccess
122001PetrarquismoMarnoto, Rita bookPartopenAccess
132015PetrarquismoMarnoto, Rita bookPartopenAccess
142011PetrarquismoMarnoto, Rita bookPartopenAccess
151997O petrarquismo português do Renascimento e do ManeirismoMarnoto, Rita bookopenAccess
162015O petrarquismo português do «Cancioneiro Geral» a CamõesMarnoto, Rita bookopenAccess
172003Revista CamonianaMarnoto, Rita articleopenAccess
182003O sol como lume dos olhos. Shakespeare e António FerreiraMarnoto, Rita bookPartopenAccess
192003‘Spero trovar pietà, nonché perdono’. Tradução e imitação no lirismo português do século XVIMarnoto, Rita articleopenAccess